Publications

CULTURE JOURNALISM

"The Post-Pandemic Style.Slate (19 April 2020).

"Ghost Hands, Player Pianos, and the Hidden History of A.I.Los Angeles Review of Books (5 October 2019).

"Sing On, Vocal Deepfakes." Slate: Future Tense (16 August 2019). 

"How Phones Taps and Swipes Train Us to Be Better Consumers." Wired (10 July 2019). 

ACADEMIC JOURNALS

"Catching the Ghost: The Digital Gaze of Motion Capture."

 Journal of Visual Culture vol. 18, no. 3 (December 2019).

“Animating the City: Street Art, Blu and the Poetics of Visual Encounter”

Animation: an interdisciplinary journal 8 (November 2013).

“Records that Play: The Present Past in Sampling Practice.”

Popular Music vol. 28, no. 2 (2009).

OTHER WRITING

Street Art,” In Media Res: A MediaCommons Project (Jan 26-30, 2015)

“Melos Opsis Lexis.” The Chicago School of Media Theory (2006)

Presentations

"A Poetics of Mediated Movement." Leonardo Art Science Evening Rendezvous, 

University of San Francisco" (10 July 2019).

"Digital Automata: Art and Machine Learning in Galatea 2.2, DeepDream, and Sunspring."

American Comparative Literature Conference, UCLA (March 29-April 1, 2018).

"Catching the Ghost: Motion Capture and the Body Recorded."

Society of Cinema and Media Atudies Conference, Chicago, IL (March 22-26, 2017).

“Tracing Electronic Gesture: A Poetics of Mediated Movement.”

Vanderbilt University, Nashville, TN (March 16, 2016).

“Whither Gesture.”  

Choreotech: Conference for Research on Choreographic Interfaces.

Brown University, Providence, RI (March 4-5, 2016).

“From Playback to Play: Digital Music and Gestural Invention.”

The Material Imagination: Sound, Space and Human Consciousness,

Stanford Humanities Center Research Workshop, Stanford, CA (June 3, 2016).

“Bodies in Motion: Gesturing Bodies in Early Film & Motion Capture.”

American Comparative Literature Association Annual Conference,

Harvard University, Cambridge, MA (18-20 March, 2016).

“Tracing Electronic Gesture: A Poetics of Mediated Movement.”

Stanford Humanities Center Fellows Colloquium, Stanford, CA (Feb 16, 2016).

“From Playback to Play: Digital Music and Gestural Invention.”

Society of Cinema and Media Studies, Montreal, Canada (March 25-29, 2015).

“Groove Feeling: Posthuman Bodies in Hip-Hop’s Sonic Territories”

American Comparative Literature Association Annual Conference, New York University, NY (March 21-23, 2014).

“Animating the City: Street Art and the Poetics of Encounter.”

The Graphic Narrative Project, Stanford Humanities Center Workshop, Stanford, CA (Oct 2, 2013).

“Audiovisualizations: Musical Screens and the Sound Image.”

Society for Cinema and Media Studies, Chicago, IL (March 6-10, 2013).

“Body & Being under the Big Top,”

Circus for Community Building and Social Change (Jan 22, 2013).

“Muto: Urban Space as Spectacular Encounter.”

Society of Cinema and Media Studies, Boston, MA (March 21-25, 2012).

“The Circus Body and the Metronome of Taylorism.”

Modernist Studies Association 13: Structures of Innovation, Buffalo, NY (Oct. 6-9, 2011).

“Turntablism: Embodying Posthuman Agency.”

Pacific Ancient and Modern Language Association 109th Annual Conference, Scripps College, Claremont, CA (Nov 5-6, 2011).

"Carnivalesque Bodies: A History of the Circus." Soto House, Stanford, CA (April 10, 2011).

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